
Alastair Penman’s new album announced
Alastair Penman’s new album, Soar, featuring music for saxophone and piano, will be released on Friday 16th June.
Ensemble Hesperi has shared details of their dates in 2023. There are plenty of opportunities to catch them around the country next year.
14th January, 2023: Music at Duffield
7.30pm, St Alkmund’s Church, Church Drive, Duffield
Programme tbc
Find out more
25th January, 2023: Cambridge Early Music Festival
6pm, St Catharine’s College Chapel, Cambridge
Burns Night Concert: “Full of the Highland Humours”
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25th March, 2023: Waltham Forest Music Society
7.30pm, All Saints Church Hall, Highams Park, E4
“Full of the Highland Humours”
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16th April, 2023: Gloucester Music Society
3pm, Ivor Gurney Hall, Pitt Street, Gloucester GL1 2BH
“From Caledonia to the Capital”
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22nd April, 2023: Leighton Buzzard Music Society
7.30pm, St. Barnabas’s Church, Leighton Buzzard
Programme: tbc
Find out more
Summer 2023 will see Hesperi collaborate with the Liberata Collective for several performances of Handel’s Orlando at leading festivals throughout the UK. For details of performances as they are confirmed, please visit the Liberata Collective’s website.
Ensemble Hesperi is a dynamic and innovative London-based period ensemble, with a passion for showcasing Early Music through intelligent, distinctive programming. The members of Ensemble Hesperi met during their studies at the Royal College of Music in London, and the varied talents of each member of the Hesperi constellation combine to produce an infectious energy, leading to joyful collaborations with singers, dancers, and actors. Whether performing as the core ensemble of recorder, baroque violin, baroque cello and harpsichord, or with friends for larger projects, Hesperi’s performances embody the spontaneity of true chamber music.
Alastair Penman’s new album, Soar, featuring music for saxophone and piano, will be released on Friday 16th June.
Rosalind Ventris’ recently released album, SOLA, has been reviewed by The Arts Desk with Bernard Hughes calling it “utterly gripping”.
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